

RAJADHARMA

Mirza Firuz Shah
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Subject:
Religions
Subclass:
Hinduism
Reign:
Ulugh Beg III 1877-1881
Subject Year (Time):
1880
Author:
K.V.Rangaswami Aiyangar
Volume:
-
Edition:
-
Publisher & Place:
The Adyar Library, Adyar -1941
Publisher Date:
1880
Languages:
English
ISBN 10|13:
9781406748154
Royal Mughal Ref:
ARC-1000001-2506
Description
The scheme of publication which the Adyar Library has laid down provides for the publication of
lectures like those now introduced. Our obligation to Professor Rangaswami Aiyangar, who has so freely been collaborating with us, is all the greater since he has given the Adyar Library all rights both in the lectures on Rajadharma now published and in other works which he is editing for the Library.
Ashoka (reign ca. 272-231 BC) is the most well known king of the Maurya dynasty. After his conquest of the kingdom of Kalinga in modern day Orissa, struck with remorse at the suffering he caused, Ashoka converted to Buddhism and spent the rest of his life propagating his dharma (law). In order to achieve this, he had numerous edicts inscribed on rocks, pillars and caves throughout his vast empire. These are written in various vernaculars and represent the earliest written document from the Indic regions. From these edicts it would appear clear that Ashoka was an extremely tolerant and benevolent monarch. It was originally thought that Ashoka was the first to erect pillars, however recent interpretations have shown that it is more likely that the edicts were inscribed on pillars that had been sculpted in the preceding centuries, and already had religious connotations. The pillars were imbued with cosmological significance; each symbolised the world's axis, the separation between earth and heaven.
Cunningham and H.B.W. Garrick wrote about this photograph: ''I took two photographs of this monument, one a front, and one a side view, which was a work of some difficulty, as the pillar is surrounded by a courtyard, and we were obliged to build a temporary platform, about five feet high, with some bricks lying close by, to admit of the camera approaching to within a reasonable distance of the lion. The chief characteristic of this column is its squat appearance, and though the lion is fairly well sculptured, it looks heavy and unwieldy, and is, in my opinion, altogether less grateful to the eye than the more slender and truly elegant column at Lauriyanavandgarh.''
Copyright � The British Library Board
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We may read this before we see the Cinema puzha muthal puzha vare.... to analyse the truth









