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A calligraphy 3

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December 31, 1549
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Cleveland Art
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Art and Calligraphy
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Humayun 1530–1556

A calligraphy 3

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DESCRIPTION

A calligraphy *Published/Created: Persia and/or Golconda, ca. 1550-1600. Description: 1 single leaf : paper on card, ill. ; 242 x 378 mm Credit: Purchased by J. Pierpont Morgan (1837-1913) in 1911. Genres: Manuscripts--16th century. Illuminated borders--16th century. Calligraphy. Paper (fiber product) Cardboard. Single leaves. Language: Persian Large top and bottom cartouches in the surround are in Persian; Large side cartouches and the outer small cartouches in the surround are in Persian. Script: nastaʻlīq nastaʻlīq. Notes: Ms. calligraphy; written in Persia and/or in Golconda, in the Deccan region, in the second half of the 16th century. Text: three lines of a Persian prose treatise. Decoration: illuminated border. The surrounds are cuttings from three manuscripts. The large top and bottom cartouches of the surround are a nastaʻlīq alphabet. The large side cartouches of the surround are prose, probably from Anṣārī's Munājāt. The outer small carouches of the surround are six lines from a Persian qasida in "-ad". Text box: 125 x 48 mm. MICROFILM holding is on record for MS M.458.1r. Provenance: Ḥusain Khān Shāmlū (d. 1618) and possibly his son, Ḥasan Khān; purchased by J. Pierpont Morgan (1837-1913) from Charles Hercules Read in 1911; J.P. Morgan (1867-1943). Associated Names: Anṣārī al-Harawī, ʻAbd Allāh ibn Muḥammad, 1006-1089. Munājāt. Read, Charles Hercules, Sir, 1857-1929, former owner. Morgan, J. Pierpont (John Pierpont), 1837-1913, former owner. Morgan, J. P. (John Pierpont), 1867-1943, former owner. Formatted Place: India--Golconda. Cite as: Pierpont Morgan Library. MS M.458.33r. Publications on: Islamic and Indian manuscripts and paintings in the Pierpont Morgan Library / Barbara Schmitz. New York: The Library, 1997, no. 50, p. 170-171; figure 236. Subjects: Manuscripts, Persian--New York (State)--New York. 1550-1600. Dept./Collection: Pierpont Morgan Library Dept. of Medieval and Renaissance Manuscripts

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We may read this before we see the Cinema puzha muthal puzha vare.... to analyse the truth

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The Mughal Images immediately took a much greater interest in realistic portraiture than was typical of Persian miniatures. Animals and plants were the main subject of many miniatures for albums and were more realistically depicted. To upload your images click here.

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