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Portrait of a kneeling holy man, from the Prince Salim Album

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June 30, 1556
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People
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Akbar 1556–1605

Portrait of a kneeling holy man, from the Prince Salim Album

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DESCRIPTION

Portrait of a kneeling holy man, from the Prince Salim Album c. 1556–60; border c. 1602 attributed to Mir Sayyid Ali (Persian, active in India, 1555–1580) India, Mughal, 16th century Opaque watercolor with gold on paper, laid down on an album page with cream borders decorated with gold flowers and geometric motifs Gift in honor of Madeline Neves Clapp; Gift of Mrs. Henry White Cannon by exchange; Bequest of Louise T. Cooper; Leonard C. Hanna Jr. Fund; From the Catherine and Ralph Benkaim Collection 2013.295 DID YOU KNOW? In this sensitive portrayal of a charlatan holy man, the eyes are pale and empty. DESCRIPTION One of the few surviving works that appear to have been made by an artist brought from Iran by Akbar’s father, Humayun, shortly after his arrival in Mughal India, this page was mounted into the Prince Salim Album in his breakaway court in Allahabad. The flowing lyrical contour lines, penetrating expression, and soft yet wiry texture of the beard reveal the hand of a master. The verse written above and below the painting is a quotation from a poetic sermon of the Persian author Sana’i, who lived about 1100: If it were greed that led you to acquire learning, then be afraid, For at night, a thief with a torch can take away the choicest goods! The calligraphy suggests that the kneeling figure is a charlatan holy man who wears the blue robe of a Sufi mystic and acts with humility and piety for monetary gain rather than sincerity of devotion. INSCRIPTION Calligraphy above and below from a Persian homiletic qasida (composite ode in verse) by Hakim Sana’i (Persian, c. 1087–1130), in nasta‘liq script: If it were greed that led you to acquire learning, then be afraid, For at night, a thief with a torch can take away the choicest goods! PROVENANCE Collection of Hagop Kevorkian (1872–1962), New York, before 1962 Sotheby’s, London, Highly Important Oriental Manuscripts and Miniatures: The Property of the Kevorkian Foundation, 6 December 1967, lot 47 EXHIBITION HISTORY On loan to the San Diego Museum of Art (2005) The Cleveland Museum of Art (7/31/2016-10/23/2016) Art and Stories from Mughal India, cat. 2, p. 161. Art and Stories from Mughal India. The Cleveland Museum of Art (organizer) (July 31-October 23, 2016).

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MUGHAL IMAGES

The Mughal Images immediately took a much greater interest in realistic portraiture than was typical of Persian miniatures. Animals and plants were the main subject of many miniatures for albums and were more realistically depicted. To upload your images click here.

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