The dervish brings in as dowry an elephant laden with gold, from a Tuti-nama (Tales of a Parrot): Seventh Night c. 1560 Part of a set. See all set records India, Mughal, Reign of Akbar, 16th century Gum tempera, ink, and gold on paper Overall: 20.3 x 14 cm (8 x 5 1/2 in.); Painting only: 4.2 x 9.9 cm (1 5/8 x 3 7/8 in.) Gift of Mrs. A. Dean Perry 1962.279.45.a DID YOU KNOW? This painting is attributed to the same unnamed artist who painted folio 27r (1969.279.27.a). DESCRIPTION The eccentric dervish, wearing a fur cap, a leopard-skin skirt, and chains around his neck, chest, and legs, comes to the king with the very thing the king thought he could never provide: an elephant laden with gold in exchange for the princess’s hand in marriage. The dervish had gone to the magnanimous King of Kings—the overlord of this local king—with his plight: in order to marry the princess, he had to provide an elephant laden with gold as a dowry. The King of Kings, who could not resist a good love story, provided it for him. The text of the story is written in Persian in a naskh script, which is read from right to left. PROVENANCE Estate of Breckenridge Long, Bowie, MD, 1959; Harry Burke Antiques, Philadelphia, PA; Bernard Brown, Milwaukee, WI; CITATIONS Chandra, Pramod, and Daniel J. Ehnbom. The Cleveland Tuti-Nama Manuscript and the Origins of Mughal Painting. Cleveland, OH: The Cleveland Museum of Art, 1976. p. 95 EXHIBITION HISTORY Main gallery rotation (Gallery 245): November 2, 2015 - April 4, 2016.